Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is forced to take matters into his own hands when his family is in danger.
Four strangers wake up trapped in an abandoned warehouse and upon discovering a dead body among them, learn they are all linked to a sadistic man's final act of revenge.
A criminal defense attorney must choose between family, duty and her own dangerous desires when she takes on the case of an artist accused of murder.
Lies and guilt are at the core of Patrick’s relationship with his mother Randa. Over the years, he has collected their audio messages and video calls, transforming them into a portrait of her life in Lebanon and his own in Belgium. This very intimate yet social piece reveals a complex relationship marked by the distance between the two characters and shows what one may experience as a homosexual migrant. By turns moving, provocative, and hilarious, Mea Culpa questions the links between national and sexual identities for a young Palestinian migrant.
A caught young lady's life fills in as the focal point of the story. With obscure intentions, the risky man attempts to go after her. Things go off in a strange direction since it incorporates stowed away retaliation.
In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.
A date becomes complicated when a controversial subject forces the couple to examine their desires and limitations.
In his first collaboration with David Byrne and Brian Eno, Conner used footage from educational films to create a rhythmically austere image-track for music from their pioneering “sampling” album “My Life in the Bush of Ghosts” (1981).
In Mea Culpa, the Belgian-Moroccan choreographer Sidi Larbi Cherkaoui explores a shared sense of guilt that is passed on from generation to generation and continues to affect the present day. Inequality, discrimination, colonization and slavery are questioned from the perspective of both perpetrator and victim. The compositions of Heinrich Schütz, one of the key figures on the border between Renaissance and Baroque, are permeated by the same themes and put reconciliation first.
Mea Culpa is a coming-of-age dramedy that tells the story of María, a religious teenager who experiences an identity conflict as she develops sexual feelings for her friend Sam.
Dalila must face a sin that is hunting her for years.
Two lovers reunite after 10 years through a confession. Jonathan Lynch chose the life of a clergyman, while David was sent away by his parents to business school in NY, where he gets brainwashed by societal expectations, and gets married to a woman he doesn’t love out of wedlock. After realizing how much time he wasted being unhappy he returns to his hometown. Finding out that Jonathan has become a catholic priest.
Two lovers reunite after 10 years through a confession. Jonathan Lynch chose the life of a clergyman, while David was sent away by his parents to business school in NY, where he gets brainwashed by societal expectations, and gets married to a woman he doesn’t love out of wedlock. After realizing how much time he wasted being unhappy he returns to his hometown. Finding out that Jonathan has become a catholic priest.
Madeleine, amateur writer, grew up religious and now she’s facing new feelings she hasn’t felt before. Reserved and kept to herself, she starts hanging out with Clementine. Together, they spend joyous time together. Madeline gets haunted by these confusing emotions she’s facing and beats herself up for them. She crashes out and starts to handle these feelings poorly.
Academy Award®–winning documentary filmmaker Alex Gibney (Taxi to the Dark Side) explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all way to the Vatican.
She was a popular actress during the 1960s who starred with Jack Nicholson in “Back Door To Hell”. Unfortunately, she meets a man in a billiard hall who kidnapped her twice.
Anthology series based on real criminal cases, featuring an interview with the actual perpetrator at the end of each episode.
In a restorative justice centre, Bérénice (Mélissa Désormeaux-Poulin) accompanies people who are victims of crime or who have committed it to promote dialogue among themselves and the reparation of the harm caused. Its objective: to help these deeply wounded people turn a traumatic page in their history to better enjoy their present and their future.
Lies, murder, motherhood, and guilt bind six law graduates to a mother who lost her child to a kidnapping incident. Now embroiled in a messy cover-up of a crime, the group deals with the repercussions of the web of lies they started.
After passing their Bar examinations, six friends get on board for a celebration in Baguio. One night of getting drunk and getting high leads to a road accident. With a bright future ahead of them, they decided to bury and forget the truth of that trivial night. But, their crime will be unearthed by a mother who will go to any lengths to find the child she loves.
Several years ago, a group of unknown comedians created a television humor lab called 100 LIMITE. They exposed and sliced through everything they found ridiculous with the sharp blade of satire. Today, with the benefit of hindsight, they feel the need to confess. For four special episodes, André Robitaille, Jacques Chevalier, Pierre Brassard, Yvon Landry, Richard Z. Sirois, and Ghislain Taschereau reunite for one final MEA-CULPA 100 LIMITE. Will they truly ask for forgiveness?
