Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost.
Frustrated with her lack of opportunity at her workplace, Hye-seon Kim (Park Seon-Young) decides to do something about it. Hye-seon decides to masquerade as a man and quickly becomes the star employee. Then after she gets assigned to an all important project she meets co-worker Hyeong-jun (Choi Min-Soo). As they work together, feelings start to arise between the two and when things can't become more strange, Hyeong-jun's fiance starts to show interest in Hye-seon.
This short documentary takes a look at the ideas and feelings of successful, black gay men on such issues as sexuality and masculinity, as well as their perception of, and their role within, the black community.
Two middle-aged male friends are travelling together by car and expressing their thoughts and emotions connected with women.
Vladan Vasev aka VaXz, is a lover of basketball and all kinds of team sports from Bosilegrad, who completely single-handedly restored faith in the hardcore music scene in Serbia. When the performers on stage noticed his jumps and the way of dancing specific to hardcore music and inquired about the most loyal member of their audience, they learned an incredible story. In order to attend the concert, VaXz travels from Bosilegrad to Belgrade sometimes up to ten hours, and then returns, sometimes immediately after listening to the gig. In this film, we meet Vladan and what it is that inspires him about hardcore, but through his portrait we also get to know life in a small town like Bosilegrad, as well as the history of hardcore music in Serbia and how bands came together to honor their most loyal fan.
A tribute-cum-reformulation-in-film of Philippine National Hero Jose Rizal's poem "Mi Ultimo Adios," Khavn's "Ultimo: Different Ways of Killing a National Hero" explores identity and nationhood as viewed through the lens of a truly post-colonial individual. Ultimo is a 90-minute black-and-white silent film, with scenes from the director's meanderings in La Palma (Canary Islands, Spain) interspersed with lines from Rizal's poem, which was written a day before the hero's execution in 1896. Waiting, ambivalence, and re-membering —themes usually tackled in literature and criticism— are investigated through a series of images: the mundane elevated to the affective through a sensibility that does not shy away from pushing the boundaries of art. This version is scored by a post-kundiman duet of guitar and banduria.
After a devastating accident, Gao Yuanshu and his friends receive transplants that unexpectedly grant them unique superpowers. As they struggle to control their newfound abilities, they uncover hidden consequences that pull them into a world of mystery, danger, and unexpected destiny.
